A colorful painting depicts three orange horses with green tails standing close together in a vibrant, abstract landscape of yellow and green hues.

Collection

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Highlights

Discover our
Highlights

The Franz Marc Museum establishes a unique connection between art, nature and history. Its collection traces the development of German avant-garde art from the period before the First World War to the abstract art of post-war modernism. Originally devoted solely to the work of Franz Marc and the »Blue Rider« group, the collection adopted a new profile with the completion of the new building in 2008, expanding to include key aspects of »Brücke« Expressionism and German post-war abstract art.

The collection originated from the commitment of art collector Rudolf Ibach, who had already amassed a collection of Expressionist art as early as the 1920s. Over the following decades his daughter, Etta, and her husband, Munich gallery owner Otto Stangl, continued to build the collection. Today it includes several hundred works by Franz Marc, among them important paintings, drawings and sketches, and provides profound insights into his artistic oeuvre. Outstanding works including Large Landscape I (1910), Leaping Horse (1912), Red Deer II (1912) and the monumental Donkey Frieze (1912) impressively demonstrate the wide range of styles and themes in Marc’s work.

Abstraktes Gemälde mit kühnen geometrischen Formen in leuchtenden Farben, darunter Grün, Rot, Blau, Gelb und Schwarz. Eckige Linien kreuzen sich und erzeugen dynamische Bewegung und Energie auf der Leinwand. Die Komposition wirkt lebendig und chaotisch.

Franz Marc, Jumping Horse, 1912

Zwei Frauen in gelben Kleidern und großen weißen Hüten sitzen nebeneinander vor einem bunten, abstrakten Hintergrund. Beide haben dunkles Haar und Stiefel, wobei die eine ihren Kopf auf ihre Hand stützt und die andere aufrecht sitzt.

Ernst Ludwig Kirchner, Two Dancers, 1910-1911

Works on paper are a particular focus of the collection; Franz Marc’s initial sketch for Tower of Blue Horses, colourful woodcuts by Erich Heckel, impetuous drawings by Ernst Ludwig Kirchner, delicate watercolours by Oskar Kokoschka and expressive ink drawings by Ludwig Meidner all serve to deepen our understanding of Expressionism. The collection is supplemented by works by Wassily Kandinsky, August Macke, Gabriele Münter, Wilhelm Lehmbruck and Paula Modersohn-Becker.

The collection is continuously expanded with the addition of loans and donations from private collectors, retaining its freshness and vitality. It tells the story of modernism in Germany, but also constantly throws new light on the artistic heritage of the twentieth century.

Colorful impressionist painting of people outdoors, featuring a woman in a blue dress and white hat near a tree, with blurred greenery and another person partially visible in the background.

August Macke, Detail from Large Promenade, 1914

The Franz Marc Museum also owns major works of post-war abstract art, foremost among them an assembly of works by the ZEN 49 Group, which was founded in 1949 in Galerie Stangl, Munich. The group’s founder members included Willi Baumeister, Rolf Cavael, Gerhard Fietz, Rupprecht Geiger, Willi Hempel, Brigitte Meier-Denninghoff and Fritz Winter.

Exhibitions often featured illustrious guest lists, with names including Max Ackermann, Julius Bissier, Karl Otto Götz, Hans Hartung, Ernst Wilhelm Nay, Emil Schumacher, K.R.H. Sonderborg, Pierre Soulages, Fred Thieler, Theodor Werner and Serge Poliakoff. All these artists are represented at the Franz Marc Museum with paintings, sculptures, drawings, watercolours or prints. A particularly noteworthy part of the collection is an extensive group of works by Fritz Winter including two paintings from his Driving Forces of the Earth series, numerous works by Willi Baumeister and Serge Poliakoff and two large-format paintings by Pierre Soulages.

Eine Frau mit Brille und lockigem Haar, die eine blaue Strickjacke und ein weißes Hemd trägt, steht in einer Buchhandlung und liest ein Buch. Hinter ihr sind Regale voller bunter Bücher zu sehen.

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Eine Frau in einem schwarzen Hemd hört einem Audioguide in einer Kunstgalerie zu, während eine andere Person die Gemälde an der Wand im Hintergrund betrachtet. Das Foto wird teilweise von einer unscharfen Figur im Vordergrund verdeckt.

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